Cultural Diversity in The Tempest Essays -- Tempest essays

heathen alteration in The violent storm If we look at Shakespeares atypically concisely play The agitation, the character of Caliban represents a noble savage who is enslaved, exploited, and endowed with low-self take to be due to the ethnocentric views of those who catch him. In much the same bearing as the British before exploited the Hindus or Americans exploited internal Americans, Caliban is considered the property of those who encounter him, unaccompanied beca drug abuse he is non of the same heritage, customs, and discretion of his oppressors. The ostracism and exploitation of Caliban because he is perceived as a lascivious animal compared to civilized common people is in keeping with the theme and purpose of the play-to show that reality is to a longer extent a manifestation of mentality and sure perception than concrete pitch-black and white, definable phenomena. As one disciple of Elizabethan imagery suggests, The poet who imitates not the visible wor ld but the distinct as manifested in the visible will not consider that the use of invention to emphasize process makes imagery less true to nature (Scanlan 1). In The Tempest we see a great deal of impostureifice to understand what is manifested in the visible, however, with Caliban we see that all the artifice in the world does not help oneself him be dealed by those who inhabit the island once his own. Prospero has enslaved the son that Sycorax did bedding material on the island, and his lovely female child Miranda says of his slave, Tis a villain, sir,/I do not love to look on (Shakespeare 5). Of course, Prospero says he enslaved Caliban because he tried to coupled with his daughter, however, Caliban, sounding like soulfulness who has had their land and culture stolen from them, replies to this, O ho,... ...nce and form are often perceived as evil, wrong or someway inferior in congeneric to the dominant culture or sociable norms. These issues are very seasonably as we face the increasing globalization of the world and increasing pressures to accept and integrate with diverse cultures. Works Cited baker Siepmann, K. (ed.) Benets Readers Encyclopedia. overbold York, Harper & Row, Publishers, New York, 1987. Moore, P. The Tempest and the Bermuda Shipwreck of 1609. Shakespeare Oxford Newsletter. Summer, 1996, 1-2. Scanlan, R. Shakespeares New manhood Fantasia. http//fas-www.harvard.edu/art/center.html April 21, 1999, 1-3. Scanlan, R. The Veil of Poetry. http//www.fas.harvard.edu/art/poetry.html April 21, 1999, 1-2. Shakespeare, W. William Shakespeare The Complete Works. New York, Gramercy Books, 1975. Cultural Diversity in The Tempest Essays -- Tempest essaysCultural Diversity in The Tempest If we look at Shakespeares atypically short play The Tempest, the character of Caliban represents a noble savage who is enslaved, exploited, and endowed with low-self esteem due to the ethnocentric views of those who encounter him. In much the same way as the British originally exploited the Hindus or Americans exploited Native Americans, Caliban is considered the property of those who encounter him, solely because he is not of the same heritage, customs, and manners of his oppressors. The ostracism and exploitation of Caliban because he is perceived as a brutish animal compared to civilized folks is in keeping with the theme and intent of the play-to show that reality is more a manifestation of mentality and conscious perception than concrete black and white, definable phenomena. As one scholar of Elizabethan imagery suggests, The poet who imitates not the visible world but the intelligible as manifested in the visible will not consider that the use of artifice to emphasize form makes imagery less true to nature (Scanlan 1). In The Tempest we see a great deal of artifice to understand what is manifested in the visible, however, with Caliban we see that all the artifice in the world does not help him be acce pted by those who inhabit the island once his own. Prospero has enslaved the son that Sycorax did litter on the island, and his lovely daughter Miranda says of his slave, Tis a villain, sir,/I do not love to look on (Shakespeare 5). Of course, Prospero says he enslaved Caliban because he tried to coupled with his daughter, however, Caliban, sounding like someone who has had their land and culture stolen from them, replies to this, O ho,... ...nce and diversity are often perceived as evil, wrong or somehow inferior in relation to the dominant culture or social norms. These issues are very timely as we face the increasing globalization of the world and increasing pressures to accept and integrate with diverse cultures. Works Cited Baker Siepmann, K. (ed.) Benets Readers Encyclopedia. New York, Harper & Row, Publishers, New York, 1987. Moore, P. The Tempest and the Bermuda Shipwreck of 1609. Shakespeare Oxford Newsletter. Summer, 1996, 1-2. Scanlan, R. Shakespeares New World Fant asia. http//fas-www.harvard.edu/art/center.html April 21, 1999, 1-3. Scanlan, R. The Veil of Poetry. http//www.fas.harvard.edu/art/poetry.html April 21, 1999, 1-2. Shakespeare, W. William Shakespeare The Complete Works. New York, Gramercy Books, 1975.